| Description | Includes:
-letter from Richard Walker, Ministry of Works, London, dated 23 June 1955, concerning a small stained glass portrait of Charles II
-letter from Edgar Peters Brown, Elizabeth and John Moors Cabot Director, Harvard University Museums, dated 15 December 1988, concerning two paintings in the Fogg Art Museum
-letter from David Barclay, Lucerne Gallery, London, dated 9 September 1991, concerning a portrait
-letter from Susan Jenkins, Historic Royal Palaces, Surrey, dated 3 December 1991, concerning a painting representing William III as King Solomon by Jan Van Orley
-two letters from Neil Stratford, Keeper of Medieval and Later Antiquities, British Museum, London, dated December 1987-May 1988, concerning paintings on a Quare clock of ca. 1715
-note from Priscilla Copeman, Courtauld Institute of Art, London, dated 6 April 1978, concerning a painting at Carlton Towers, North Yorkshire
-letter from Ada Polak, Deputy Curator in Britain, Arts and Crafts Museums of Norway, London, dated 11 April 1962, concerning a portrait attributed to Lely with an enclosed document
-letter from (?), Underwood, Sevenoaks, Kent, dated 25 September 1961, concerning a portrait
-letter from Dr Eileen Black, Curator of Fine Art, Ulster Museum, Belfast, Northern Ireland, dated 6 October 2004, concerning portraits of William III and Mary II attributed to Kneller or William Claret
-letter from Peter H. Sand, Munich, Germany, dated 12 November 2001, concerning a summary on Georg Balthasar von Sand, an assistant to Lely in London from 1675 to 1679 with enclosed document [in German]
-letter from Karen Hearn, Tate Gallery, London, dated 1 April 2005, concerning an article on Elizabeth I and the Spanish Armada: a painting and its afterlife
-letter from Edwina Rickards Collinson, By Carnforth, Lancashire, dated 17 December 2003, concerning a portrait of Anne Hyde, Duchess of York attributed to Lely
-letter from Alastair Laing, The National Trust, dated 25 August 2001, concerning portraits of Charles Louis
-letter from Karen Hearn, Tate Gallery, London, dated 16 October 2003, concerning a portrait by Isaac Whood
-postcard from Catherine Hornyold, Hanley Swan, Worcester, dated 29 October 2004, concerning a miniature of Charles I
-letter from Sir John Elliott, Iffley, Oxford, dated 24 August 2002, concerning the exhibition The Sale of the Century: artistic relations between Spain and Great Britain, 1604-1655 at the Prado Museum, Madrid, Spain
-letter from Roger Quarm, Curator of Pictures, National Maritime Museum, London, dated 20 November 2001, concerning the following painting: Psyche consoled by Pan by Jacob Jordaens and studio
-letter from Dr Steven Brindle, English Heritage, London, dated 5 June 2003, concerning paintings attributed to Van Dyck and Rubens, formerly at Bold Hall, Lancashire
-letter from Stephen J. Conrad, Surrey, dated 12 July 2006, concerning a small XVIIIth century portrait of a boy purported to be by a young Thomas Gainsborough
-letter from Maureen E. Mulvihill, Fellow, Princeton, New Jersey, USA, nd, concerning Lady Mary Villiers
-letter from Linda Farrena, Guildford, Surrey, dated 17 May 2004, concerning a pair of XVIIth century paintings purported to be of the Duke of Monmouth and his sister Lucy Walters
-copy of a letter from Oliver Millar to George (?), dated 26 August 1998, concerning a painting inscribed Ramsey Abbey, home of the Cromwells
-copy of a letter from Oliver Millar to Johnnie (?), dated 27 July 1999, concerning paintings at Boughton House, Northamptonshire
-copy of a letter from Oliver Millar to Christopher Brown, dated 1 September 1998, concerning the catalogue for the exhibition Anthony Van Dyck: 1599-1641 at the Royal Academy, London
-letter from Charles Alabaster, Burford, Oxfordshire, dated 9 May 2007, concerning a sale at Christie's, 3 June 1977
-letter from Andrea Fabbri, Faenza, Italy, dated 2 May 2007, concerning a portrait of Charles I by Peake
-letter from Sheila Russell, Impington, Cambridge, dated 24 March 2006, concerning paintings by Wright or a follow of Robert Walker
-letter from Todd Longstaffe-Gowan, London, dated 7 April 2006, concerning a portrait of Edward Hopkins, MP for Coventry purported to be by Sir Godfrey Kneller
-letter from Georgina Green, Hainualt, Ilford, dated 4 May 2001, concerning three paintings by Van Dyck put up for auction on 20 June 1822 at Wanstead House, Essex with enclosed document
-letter from Sheila Russell, Impington, Cambridge, dated 4 February 2006, concerning various topics
-letter from Clive (?), London, dated 11 December 2006, concerning a picture bought at an auction at Christie's, lot 6, 18 April 1996 purported to depict a battle scene between Swedish and Imperial forces
-letter from Charles Alabaster, Burford, Oxfordshire, dated 7 November 2006, concerning the painting Head Study of a Young Girl attributed to Sir Godfrey Kneller
-letter from Charles Alabaster, Burford, Oxfordshire, dated 29 August 2006, concerning a miniature of Charles I wearing the ribbon of the Gartner attributed to Cornelius Johnson
-letter from John Guinness, Fakenham, Norfolk, dated 19 August 2006, conerning two portraits formerly at Hillington, Norfolk
-letter from John Graham, Bishopsbourne, Kent, dated 18 September 1996, concerning a painting purported to be by Kneller or Jacob Huysmans
-letter from Mark Dodgson, London, dated 23 April 2004, concerning paintings of John Jeaffreson and his wife Mary purported to be by Daniel Mytens
-letter from John Stainton, Christie's, dated 22 April 2002, concerning various paintings
-letter from Francis Russell, Christie's, nd, concerning a painting of Robert Cecil
-letter from Francis Russell, Christie's, nd, concerning portraits of Langford, Bodrhyddan, Flintshire
-letter from David Moore-Gwyn, Sotheby's, nd, concerning Knepp Castle, West Sussex; and a full length portrait from the collection of the Dukes of Newcastle
-letter from David Moore-Gwyn, Sotheby's, dated 5 May 2005, concerning a portrait of Lambert Russell; and a portrait purported to be of the young Duke of Lennox by Jan Mytens
-letter from Francis Russell, Christie's, dated 30 March 2005, concerning a sketch attributed to Van Dyck; and an autograph replica of Sir William Robinson by Kneller
-letter from Isabel Grimshaw, Christie's, dated 8 December 2004, concerning two pictures attributed to Robert Walker
-note from Toby Campbell, Rafael Valls Limited, London, nd, concerning a portrait of Niccolo Paganini
-letter from Nicholas White, Christie's, dated 29 August 2006, concerning a portrait of Elizabeth, Queen of Bohemia by Mierveldt
-letter from Patrick Jefferson, London, dated 24 November 2000, concerning an Equestrian portrait of Prince Tommaso Francesco of Savoy-Carignano
-letter from Margie Christian, Christie's, dated 14 February 1997, concerning six portraits
-letter from Francis Russell, Christie's, dated 26 May 2002, concerning a portrait by Dahl
-letter from David Moore-Gwyn, Sotheby's, dated 24 September 2001, concerning a portrait of a lady purported to be by Hanneman
-letter from Henry Wemyss, Sotheby's, dated 28 November 1994, concerning paintings at Noseley Hall, Leicestershire
-letter from James Miller, Sotheby's, dated 20 February 1996, concerning pictures at Swynnerton Hall, Staffordshire and Voelas Hall, Wales
-letter from Margie Christian, Christie's, dated 10 June 1998, concerning a painting of Lady Catherine Stanhope
-letter from David Moore-Gwyn, Sotheby's, dated 19 November 2002, concerning two paintings at Shardeloes, Buckinghamshire
-letter from Francis Russell, Christie's, nd, concerning various topics
-letter from Francis Russell, Christie's, dated 9 January 2006, concerning a painting at Balcarres House, Scotland; and three paintings at Betchworth House, Surrey
-note from Francis Russell, Christie's, dated Autumn 2001, concerning photographs of an unidentified collection
-letter from Francis Russell, Christie's, dated 25 October 2002, concerning photographs of an unidentified collection |