| Description | Includes:
-postcard from Lucy Whitaker, The Royal Collection, dated 2 April 2002, concerning frames in the Royal Collection
-draft article by Oliver Millar: Van Dyck: horses and a landscape
-conservation report: The technical examination of A Grey Horse, in the manner of Van Dyck, Dulwich Picture Gallery, 1 August 2005
-letter from Simon Folkes, London, dated 4 October 2001, concerning a painting of a Grey Horse
-postcard from Martin Royalton-Kisch, British Museum, London, dated 9 October 2001, concerning a double-sided oil sketch at Simon Folkes's studio
-letter from T. J. Fenton, Gloucester, dated 7 December 2001, concerning a White Horse picture at Christie's
-extract: from a handwritten catalogue of Gambier Parry [photocopy]
-exhibition catalogue: Thomas Gambier Parry 1816-1888 as artist and collector
-family tree tracing lineage of Thomas Parry
-postcard from Lucy Whitaker, The Royal Collection, dated 30 October 2001, concerning the double-sided Van Dyck at Simon Folkes
-letter from Christopher Baker, Assistant Curator, Christ Church College, Oxford, dated 11 January 2000, concerning Van Dyck's Soldier on Horseback with documents enclosed [photocopies]
-letter from Sarah Davis, Robert Holden Ltd Fine Art Agents, London, dated 2 September 2002, concerning the study of a horse attributed to Van Dyck
The Paul Mellon Centre's Archives & Library collections contain additional material on this artist. Please see the Artist Guide on our website for further information (link below). |
| Image Caption | Postcard from Martin Royalton-Kisch, British Museum, London, dated 9 October 2001, concerning a double-sided oil sketch at Simon Folkes's studio |