| Description | Includes:
-letter from Alastair Laing, The National Trust, dated 18 December 1995, concerning an inventory of pictures left at Pickenham, Norfolk
-letter from Timothy J. Standring, Denver Art Museum, Colorado, USA, dated 16 September 1999, concerning a painting purported to be by Van Dyck in the Berger Collection with a copy of Millar's reply
-fax from Gregory (?), Christie's South Kensington, dated 3 November 1995, concerning a portrait of Lady Dacre by Van Dyck
-letter from David Moore-Gwyn, Sotheby's, dated 28 November 1985, concerning a portrait of Lady Dacre
-two letters from David Moore-Gwyn, Sotheby's, dated March 1998, concerning a portrait of Lady Dacre; and Warwick Castle
-letter from (?), The National Trust, dated 27 November (?), concerning a full length of Lady Dacre
-letter from Judith Dundas, Urbana, Illinois, Chicago, USA, dated 30 May 2005, concerning the emblematic significance of parrots with enclosed journal article
-letter from the Viscount of Noailles, Paris, France, dated 7 September 1967, concerning the painting: The Countess of Devonshire by Van Dyck
-letter from Mahonri Sharp Young, The Columbus Gallery of Fine Arts, Columbus, Ohio, USA, dated 12 May 1967, concerning the painting: The Countess of Devonshire by Van Dyck with a copy of Millar's reply
The Paul Mellon Centre's Archives & Library collections contain additional material on this artist. Please see the Artist Guide on our website for further information (link below). |