| Description | Includes:
-letter from Douglas Shaw, Cambridge, dated 5 January 2005, concerning Thomas Wentworth and Millar's article on Stafford and Van Dyck
-letter from Patrick Shaw Cable, Curator of European Art, Art Gallery of Hamilton, Ontario, Canada, dated 19 July 2004, concerning a portrait of Henrietta Maria
-letter [in German] from Gerd Bartoschek, Curator, Stiftung Preussische Schlosser und Garten, Berlin, dated 10 January 2005, concerning a Van Dyck catalogue with enclosed documents
-notes: 'literary and historical references to check for Van Dyck and other painters'
-notes: 'still to check, look up etc; Public Record Office; The National Gallery; Warburg Institute; and stuff done'
-letter from Bendor Grosvenor, Historical Portraits, London, dated 1 September 2006, concerning the painting Allegorie Musicale by Isaac Mouillon at the Louvre, Paris, France
-letter from David Moore-Gwyn, Sotheby's, dated 25 August 2006, concerning a portrait of Charles I at Sewerby Hall, Yorkshire
-letter from Bendor Grosvenor, Historical Portraits, London, dated 7 August 2006, concerning a Van Dyck self-portrait
-letter from Michael Shutall(?), Longford House, Sherborne, Dorset, dated 17 June 2006, concerning the portrait the Earl of Stafford and Sir Philip Mainwaring by Van Dyck with enclosed document
-letter from Anna Grundberg, Researcher, Dickinson, London, dated 13 July 2004, concerning a portrait attributed not to be by Van Dyck
-letter from Alan Stone and Lesley Hall, Hill Stone Fine Prints and Drawings, New York City, New York, USA, dated 9 July 2004, concerning the attribution of an oil sketch on paper mounted on canvas
-letter from John Somerville, Fine Art Consultant, Suffolk, dated 4 July 2006, concerning a portrait of Charles I bought at a sale at Castletown House, Ireland
-letter from Michael Shutall(?), Longford House, Sherborne, Dorset, dated 27 March 2007, concerning the portrait the Earl of Stafford and Sir Philip Mainwaring by Van Dyck with draft document
-letter from Alastair Laing, The National Trust, dated 28 March 2001, concerning a portrait of Lady Tufton by the studio of Anthony Van Dyck and other paintings
-letter from Alastair Laing, The National Trust, dated 2 April 2001, concerning a 3/4 length portrait of Henry Jermyn, Earl of St Albans at Ickworth, Suffolk
-letter from Sandy Beauncy(?), Christie's, nd, concerning a portrait of a woman by Van Dyck
-email to Alex Buck, Royal Collection, London from Konrad E. Voegeli, Zurich, Switzerland, dated April 2007, concerning the Portrait of Queen Henrietta Maria of England by Anthony Van Dyck
-letter from Gregory Martin, Christie's, dated 25 May 2006, concerning a head study on paper laid down on panel attributed to Van Dyck
-letter from Anna Grundberg, Dickinson, London, dated 31 May 2006, concerning the Entombment sketch
The Paul Mellon Centre's Archives & Library collections contain additional material on this artist. Please see the Artist Guide on our website for further information (link below). |
| Image Caption | Letter from Bendor Grosvenor, Historical Portraits, London, dated 7 August 2006, concerning a Van Dyck self-portrait with a colour print |
| Letter from Bendor Grosvenor, Historical Portraits, London, dated 1 September 2006, concerning the painting Allegorie Musicale by Isaac Mouillon at the Louvre, Paris, France |
| Letter from John Somerville, Fine Art Consultant, Suffolk, dated 4 July 2006, concerning a portrait of Charles I bought at a sale at Castletown House, Ireland with a colour print of the painting in frame |