| Description | Includes:
-letter to Lucy (?) from Jeremy (?), Oxford Brookes University, Oxford, dated 19 May 1993, concerning an article on the painting: The Continence of Scupio by Van Dyck
-journal article [in Italian]: Meijer, Bert W. (1990), Rubens, Van Dyck e la Continenza di Scipione, Rubens dall Italia all' Europa: Alti del Couregno internazionale di studi, Padora, 24-27 May 1990, Venice, 1992, pp131-144
-four notes
-document: Christ Church Picture Gallery, The Continence of Scipio
-letter from Thomas Caley, Conservator, London, dated 7 August 1995, concerning the painting: The Continence of Scipio with enclosed treatment report
-letter from John Summerson, Sir John Soane's Museum, London, dated 27 December 1972, concerning the frieze fragment in The Continence of Scipio
-letter from Richard Charlton-Jones, Sotheby's, dated 22 May 2001, concerning a version of the painting: The Continence of Scipio in a private collection in Vienna, Austria
-letter from Professor Michael Jaffe, Fitzwilliam Museum, Cambridge, dated 7 August 1989, concerning Venus and Adonis
-summary description of the following painting: The Marriage Portrait of George Villiers, Duke of Buckingham and Katherine, Lady Manners, full length, as Venus and Adonis by Sir Anthony Van Dyck
-letter from Deborah Reynolds, Secretary to Gregory Martin, Christie's, dated 17 February 1999, concerning the painting: Venus and Adonis, collection Villar-Mir, Spain
-letter to Julius S. Held, Old Bennington, Vermont, USA from Nora De Poorter, dated 3 August 1989, concerning the painting: Venus and Adonis
-letter [in French] to Ludwig Burchard, London, from Leopold Allaert, Brussels, Belgium, dated 28 November 1959, concerning a painting
-two letters from Derek Johns, London, dated November-December 1999, concerning the following painting: The Marriage Portrait of George Villiers, Duke of Buckingham and Katherine, Lady Manners, full length, as Venus and Adonis by Sir Anthony Van Dyck
The Paul Mellon Centre's Archives & Library collections contain additional material on this artist. Please see the Artist Guide on our website for further information (link below). |
| Image Caption | Recto and verso, letter from John Summerson, Sir John Soane's Museum, London, dated 27 December 1972, concerning the frieze fragment in The Continence of Scipio |