| Description | Includes:
-letter from Coley [E. Horsman Coles], dated 15 Jan 1943, concerning insciptions and signatures on works by Malchair in his collection
-letter from H.H.E. Craster, Bodleian Library, concerning a list of works by Malchair at the Bodleian composed by Henry Minn (the list is also included with the letter)
-two letters from Geoffrey Cumberlege, Oxford University Press, dated 25 Feb & 18 Mar 1949, concerning some works by Malchair for sale at Walker's Gallery
-two letters from Leonard Duke, both dated 2 Dec 1942, concerning his own research on Malchair, including a page of detailed catalogue entries he has written
-letter from R.H. Hill, Bodleian Library, dated 17 Dec 1942, concerning a volume, referred to here as 'Crotch's Malchair'
-thirteen letters from Kenneth Jameson, dated between 28 Dec 1948-18 Feb 1957, concerning a book in his possession entitled, 'Rules and examples for the drawing of landskipp [sp] according to the practice at Oxford' by Malchair which he and Oppé edited and developed into a manuscript for possible publication
-letter from [Charles Llewellen], The Clarendon Press, dated 11 Mar 1949, concerning the Malchair manuscript Oppé and Jameson were working on
-seven letters from Henry Minn, Bodleian Library, dated between 15 Feb 1943-20 Nov 1951, concerning his research on Malchair, with particular reference to biographical details
-letter from Owen Morshead, dated 3 Feb 1943, concerning references to Malchair in the Farrington Diaries and a proposal to Oppé to assist Anthony Blunt in creating a catalogue of French artists in the Royal collection: Blunt, A.F. (1945) The French drawings in the collection of His Majesty The King at Windsor Castle. London: Phaidon. [a copy is available in the Paul Mellon Centre library, please see below URL]
-letter from Karl Parker, Ashmolean Museum, [undated], concerning a set of negatives of several named works by Malchair
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